Name the novel and the author.
"'Our Lady is not some magical being out there somewhere, like a fairy godmother. She's not the statue in the parlor. She's something inside of you. Do you understand what I'm telling you?' 'Our Lady is inside me,' I repeated, not sure I did."
Okay, I'm going to add another passage that might be more telling, give it a few days, and if there are no takers, I'll give up the answer :-) So, here goes...
"At night I would lie in bed and watch the show, how bees squeezed through the cracks of my bedroom wall and flew circles around the room, making that propeller sound, a high pitched zzzzzz that hummed along my skin....The way those bees flew, not even looking for a flower, just flying for the feel of the wind, split my heart down its seam."
I guess I will have to reveal the answer: The Secret Life of Bees by Sue Monk Kidd -- which of course was made into a movie, currently out on dvd.
Let's read and write!...writing tips, reading tidbits, blogger talk ... glad you stopped by and hope you return :-)
Wednesday, April 22, 2009
Thursday, April 9, 2009
Name that Novel #2
Sorry, I am a day late with this, but here goes. Name the novel and the author:
"When I pursued this resolution about ten days longer, as I have said, I began to see that the land was inhabited; and in two or three places, as we sailed by, we saw people stand upon the shore to look at us; we could also perceive they were quite black and naked."
Good luck.
Congratulations to Liz who guessed correctly: Robinson Crusoe by Defoe.
"When I pursued this resolution about ten days longer, as I have said, I began to see that the land was inhabited; and in two or three places, as we sailed by, we saw people stand upon the shore to look at us; we could also perceive they were quite black and naked."
Good luck.
Congratulations to Liz who guessed correctly: Robinson Crusoe by Defoe.
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contemporary works,
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Saturday, April 4, 2009
Contests and Such
Well, I guess I'm going to self-indulge for a moment and write a few words (or a lot more, as I seldom write just a few!) about my latest project - a mystery novel, Whips, Cuffs, and Little Brown Boxes. Quite by accident I stumbled upon a contest given by Amazon and Penguin Books. They first started this project a few years ago. In any case, I felt it wouldn't hurt to give my work a bit of exposure. So, I entered the Amazon Breakthrough Novel Award 2009 Contest. Besides, it was free. And I'm all about saving a dollar. The number of entrants could be no more than 10,000. I don't know if that's what they came up with, but authors had only a small window of time to get their work entered -- one week -- and then the doors closed so to speak. The first cut would be dwindled down to 2,000. This was based on the pitch. I made it over that hurdle. Then, those 2,000 had their excerpts read by reviewers who would write comments and rate the excerpts. These scores would then reduce the numbers down to 500. Well, I didn't make it to that next level, but I did get a couple of encouraging reviews. At least encouraging enough to make me trudge onward in the pursuit of getting it published :-) So, for those who are interested in reading what they had to say, and to comment if you wish, here they are:
ABNA Expert Reviewer #1:
Wonderful title and suspenseful opening. Nice transition between childhood hide-and-seek games into the present action. Original twist: a mystery writer who does her own research, literally, even when telling herself that she won't get involved. Excellent way to show mom's priorities: her sister's missing and she's concentrating on Lilly's single status. I like that the protagonist isn't a flawless super-hero type but someone who has real emotions.
ABNA Expert Reviewer #2:
The excerpt certainly starts with a bang and catches the reader's attention. The beginning paragraphs of the flashback though are a little drawn out and might be tempting to skim over.
Amazon Breakthrough Novel Award Reviews
Wonderful title and suspenseful opening. Nice transition between childhood hide-and-seek games into the present action. Original twist: a mystery writer who does her own research, literally, even when telling herself that she won't get involved. Excellent way to show mom's priorities: her sister's missing and she's concentrating on Lilly's single status. I like that the protagonist isn't a flawless super-hero type but someone who has real emotions.
Hilarious in places, the humor keeps the action moving right along and makes the reader want to know what will happen next.
ABNA Expert Reviewer #2:
However, the novel seems to gather steam again and, by the time dialogue between the protagonist and her mother is introduced, the dialogue is, for the most part, smooth and informative without being too obvious.
The Paranormal ability does make one curious and the humorous tone promises to be entertaining. However, none of this promises great literature or a deep examination of the human condition.
I'm guessing that this is a romance novel with an erotic hint to it and the scene is set by the time the excerpt ends - The heroine is a feisty, paranormally gifted, single female with a love interest and a mystery to solve. It seems to predict a novel which will provide an entertaining afternoon of reading even if it won't reveal any earth shattering truths.
Wednesday, April 1, 2009
Name that Novel #1
I'm going to try something new and what I hope will be fun. Each week, I will post a quote from some classic or contemporary work and then hopefully you will guess where it belongs -- title and author. And good luck! So here's the first week's quote, and I'll start with one that's rather easy, I think:
"Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next."
Congrats to Ares for coming up with Alice in Wonderland. But I also asked for the author....anyone care to respond? And thank you, Ares. As well as to Laughing Idiot who was right on Ares' coat tails with the title answer :-)
Congratulations once again... Ares answered Lewis Carroll. :-) Come back and visit next week for another quote to name that novel!
"Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next."
Congrats to Ares for coming up with Alice in Wonderland. But I also asked for the author....anyone care to respond? And thank you, Ares. As well as to Laughing Idiot who was right on Ares' coat tails with the title answer :-)
Congratulations once again... Ares answered Lewis Carroll. :-) Come back and visit next week for another quote to name that novel!
Labels:
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book knowledge,
classics,
contemporary works,
games,
literature,
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Tuesday, March 31, 2009
Revisions -- Make it Shorter or Longer?
Revising is a painful process. It's like performing major surgery (removing what may seem to be vital organs) to hopefully come up with a better product. So, prepare for the pain, if you want to improve your work. Remember, anything great comes from hard work. And great writing is indeed hard work.
There are many advice books on writing, and many of them quite useful, too! Some authors will give you guidelines, such as Stephen King (yeah, I know...I keep referencing him, but he really does have a lot of great things to share!) who advises the author to cut 10 percent from the original manuscript. Why ten, I'm not sure. But who knows? Maybe he's studied the numerous books he's written and the average amount he slashed and dashed is ten percent. Whatever the amount, it makes a point. This tactic encourages you to use more effective vocabulary, thus tightening your writing, keeping a steady pace throughout the story.
Now, just when you think you've got it, that you totally understand what's needed to revise and create the perfect novel or story -- well, I'm about to confuse you. In Manuscript Makeover Elizabeth Lyon advises you to expand on characters or scenes when you see they are lacking clarity. (See my previous post -- Revising and Fuzzy Details) So, now you need to add more to your revisions!
Bottom line, when you are revising: 1) get rid of the empty words and passages that don't add to the plot and 2) clarify the scenes that just don't make sense or lack impact. It's not easy. Nobody ever said it would be. But if you truly have a passion for writing, you will stick with it, and keep on revising until you've got it right! To be noted, this is only one aspect of revising. There are obviously many other points and features to address. Check out the many books available with advice on revising. And good luck. Let us know your experiences with revising. Maybe you have a few great advice books you'd like to recommend. So, let's hear what you have to say.
There are many advice books on writing, and many of them quite useful, too! Some authors will give you guidelines, such as Stephen King (yeah, I know...I keep referencing him, but he really does have a lot of great things to share!) who advises the author to cut 10 percent from the original manuscript. Why ten, I'm not sure. But who knows? Maybe he's studied the numerous books he's written and the average amount he slashed and dashed is ten percent. Whatever the amount, it makes a point. This tactic encourages you to use more effective vocabulary, thus tightening your writing, keeping a steady pace throughout the story.
Now, just when you think you've got it, that you totally understand what's needed to revise and create the perfect novel or story -- well, I'm about to confuse you. In Manuscript Makeover Elizabeth Lyon advises you to expand on characters or scenes when you see they are lacking clarity. (See my previous post -- Revising and Fuzzy Details) So, now you need to add more to your revisions!
Bottom line, when you are revising: 1) get rid of the empty words and passages that don't add to the plot and 2) clarify the scenes that just don't make sense or lack impact. It's not easy. Nobody ever said it would be. But if you truly have a passion for writing, you will stick with it, and keep on revising until you've got it right! To be noted, this is only one aspect of revising. There are obviously many other points and features to address. Check out the many books available with advice on revising. And good luck. Let us know your experiences with revising. Maybe you have a few great advice books you'd like to recommend. So, let's hear what you have to say.
Labels:
advice on writing,
writing,
writing habits,
writing style
Sunday, March 22, 2009
Mix and Match -- P.O.V. and Verb Tense
Creating your story: when you first bring your ideas to the table -- plot, plot line, characters, character problems... it may not occur to you that P.O.V. and verb tense should be given just as much consideration as those other elements. Now, some of you may decide that point of view, for instance, doesn't need to be discussed when choosing your options. After all, if you've always written in the third person, then why change? Or, maybe you believe that it is the best and most comfortable match for you. I'm not going to try and change your mind. Instead, why not consider the following information like a buffet -- lots of dishes to choose from? Even if you always go for the chicken, maybe today you will decide to spice things up a bit and pick out seafood. Who knows?
3rd person/past tense: If you choose third person and place the story in the past tense, you will achieve a certain distance from the character's actions and thoughts while creating a definitive account of events as they happened. It's very natural in its effect, rather like you observing someone you know or learn about and watching what happens to them. The disadvantage may be lack of character development where the character is rather flat and lifeless. Caution in this situation would be to make sure and have that balance of inner thought and outer action I previously posted about. The use of past tense, while the most common and natural, can be flat. The advice would be to make sure your dialog is lively and your narrative scenes should use vocab to address those sensory details such as seeing, hearing, etc. Have others read your work and then ask them what emotions they felt, if they felt close to the character, have emotional investment in that character.
1st person/present tense: First person is difficult to pull off successfully. At least that's what I keep reading and hearing. I personally enjoy reading and writing in the first person. First person point of view lets you know the character's most intimate thoughts, like you are inside them. Add to that the present tense, and you have a very upclose, intensely powerful story. It's a very immediate account of events. Just how immediate and intense you make it is what will determine how successful you are. Too much internal thought, too many "I this" and "I that" can result in major irritation for the reader. Sometimes the writing may even sound fake, unrealistic. In fact, the use of the present tense can have such a loud and powerful kick that it may tire your readers and they will quit reading out of shear exhaustion! Still, I think this combination, or even 3rd person/present, is well suited for short stories. I have written shorts with 1st/present and kept the story in a very brief time frame. It works when done well. Although I think the 1st person/past tense brings a better balance to it.
There are more combinations, but I will keep it to the ones I have stated above. So lets sum it up:
1st person: intimate, very close and personal view; careful of too much intimacy
3rd person: more removed, less personal, more natural; careful of flat, lifeless characterization; use internal thoughts along with outer action
Present Tense: immediate, intense, but can be too powerful or intense - reader becomes worn out; may want to change some passages to past tense
Past Tense: somewhat distant, natural, authentic; can be mediocre, needs imagery, great dialog and action scenes to liven it up
I hope this helps. I won't tell you one combination is the overall key to success. If only it were that easy! It's an individual decision. based on your taste and thought. Whatever works best for you and depending on what type of story you are writing -- you decide! Let me know your thoughts and comments. What kind of story do you enjoy writing and is your p.o.v. and verb tense choice a perfect match? Hope to hear from you :-)
3rd person/past tense: If you choose third person and place the story in the past tense, you will achieve a certain distance from the character's actions and thoughts while creating a definitive account of events as they happened. It's very natural in its effect, rather like you observing someone you know or learn about and watching what happens to them. The disadvantage may be lack of character development where the character is rather flat and lifeless. Caution in this situation would be to make sure and have that balance of inner thought and outer action I previously posted about. The use of past tense, while the most common and natural, can be flat. The advice would be to make sure your dialog is lively and your narrative scenes should use vocab to address those sensory details such as seeing, hearing, etc. Have others read your work and then ask them what emotions they felt, if they felt close to the character, have emotional investment in that character.
1st person/present tense: First person is difficult to pull off successfully. At least that's what I keep reading and hearing. I personally enjoy reading and writing in the first person. First person point of view lets you know the character's most intimate thoughts, like you are inside them. Add to that the present tense, and you have a very upclose, intensely powerful story. It's a very immediate account of events. Just how immediate and intense you make it is what will determine how successful you are. Too much internal thought, too many "I this" and "I that" can result in major irritation for the reader. Sometimes the writing may even sound fake, unrealistic. In fact, the use of the present tense can have such a loud and powerful kick that it may tire your readers and they will quit reading out of shear exhaustion! Still, I think this combination, or even 3rd person/present, is well suited for short stories. I have written shorts with 1st/present and kept the story in a very brief time frame. It works when done well. Although I think the 1st person/past tense brings a better balance to it.
There are more combinations, but I will keep it to the ones I have stated above. So lets sum it up:
1st person: intimate, very close and personal view; careful of too much intimacy
3rd person: more removed, less personal, more natural; careful of flat, lifeless characterization; use internal thoughts along with outer action
Present Tense: immediate, intense, but can be too powerful or intense - reader becomes worn out; may want to change some passages to past tense
Past Tense: somewhat distant, natural, authentic; can be mediocre, needs imagery, great dialog and action scenes to liven it up
I hope this helps. I won't tell you one combination is the overall key to success. If only it were that easy! It's an individual decision. based on your taste and thought. Whatever works best for you and depending on what type of story you are writing -- you decide! Let me know your thoughts and comments. What kind of story do you enjoy writing and is your p.o.v. and verb tense choice a perfect match? Hope to hear from you :-)
Labels:
advice on writing,
writing,
writing habits,
writing style
Tuesday, March 10, 2009
Character's Need for Problems Part II: Outer Action/Inner Reaction
Do you enjoy writing action scenes? I know I do. It's exciting to get one's characters moving and conquering their obstacles, defeating their demons, whatever it takes to achieve their goals. However, as they struggle or battle their way along, don't forget to bring their thoughts along with them. After all, they are human and you need to let your readers see this. If you don't include those inner thoughts and reactions of your characters, they will seem mechanical and robotic. These emotions can be external, visible reactions to a situation or internal thoughts, unseen emotions.
The ability to successfully balance the mixture of outer action and inner reaction takes practice. Study your favorite authors' works and see if you can pick out the use of action and reaction of the characters, how well they blend the two components. Now, mentally remove all the inner thoughts/reaction of one of those characters and see how much of a difference it makes. More than likely, you will be left with a mechanical, robotic shell of that character. And finally, take note of your own writing. See if you can identify where you used reaction along with your action. Then, let me know what you discover. Hopefully, it will be great news!
The ability to successfully balance the mixture of outer action and inner reaction takes practice. Study your favorite authors' works and see if you can pick out the use of action and reaction of the characters, how well they blend the two components. Now, mentally remove all the inner thoughts/reaction of one of those characters and see how much of a difference it makes. More than likely, you will be left with a mechanical, robotic shell of that character. And finally, take note of your own writing. See if you can identify where you used reaction along with your action. Then, let me know what you discover. Hopefully, it will be great news!
Labels:
advice on writing,
writing,
writing habits,
writing style
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