How Long Does It Take to Write a Novel?

Okay, so I sort of have an answer to this question. Sort of and maybe not so helpful, other than to give some comfort to writers who are in the trenches of finishing that first, or second or however many. I did some research and quite honestly the information did not answer the question. Instead, the authors and their works were scattered all over the place and covered a huge range of time. From two days to fifteen years! (Although, picturing an author sitting at a desk several hours a day, nonstop, for fifteen years is NOT feasible, practical, or healthy. Lol. Most likely took breaks -- months, maybe years in between writing, right?)

Here are some of the authors and their famous works mentioned:

The Boy in the Striped Pajamas - John Boyne: finished in 2.5 days! Wow. Talk about speed writing.

Great Expectations - Charles Dickens: finished in 8 months. A little more along my pace.

The Hobbit - J. R. R. Tolkien: finished in 2 years: Okay, but this one would have been fun to write and I wouldn't want the journey to end!

Harry Potter and the Philosopher's Stone -  J. K. Rollings: finished in 5 years. Yeah, but think about all the coffee and conversations interrupting the writing flow. And family stuff. Life happens.

Aaand *drumroll*, those competing for the longest running time to write a novel (on this list, at least) are:

Salinger's Catcher in the Rye and Mitchell's Gone with the Wind - tied at 10 years.

Hugo's Les Miserables - 12 years. (Loved this novel! And even when I had to read it in French during college!)

Tolkien's Lord of the Ring's Trilogy - 15 years. (Really? This shouldn't count since we're talking about 3 books, not one.) 

Those are only a few mentioned in the article, but there is a clear message in answering the question, "How long does it take to write a novel?" Answer: However long it takes. 

Footnote: I spend an average of 4 to 9 months to finish a manuscript. Things to consider -- day job, staying healthy, personal life, inspiration or lack of, plot bunnies, genre vs. literary fiction, and so on, will all affect how much time you have to write and get it done. In other words, don't beat yourself up by comparing yourself to other writers' accomplishments. It's not healthy or productive. Writing is creative and not tied to a timeline...or at least it's that way until you get a book contract. Then the publisher will have something to say about timelines! LOL

Happy writing and reading! Below is a link to the article and chart. I hope it gives you some solace as you dive into your project. 😄

Time to Write a Book

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Tis the Season for Inspiration, Reflection and Hope -- One Writer's Message

Writing is most difficult when you're a writer. Sounds contradictory, doesn't it? Well, think of it as examining something under a microscope. You see all the imperfections, each and every detail, whether attractive or unappealing it's there. Writers do much the same thing with their words. They view them with extreme scrutiny, as if "under the microscope". Still, they write, and editing becomes part of their therapy. However, during that process they sometimes stumble, lose faith in their ability, and even consider quitting.

There is value in those experiences. As the saying goes, what doesn't kill you makes you stronger. With each success, when writers cross the finish line and type "the end", that's something to remember. In fact, it's something useful to pass along to others who might need some "hope" and "good cheer" to help them survive similar struggles. 

I've had my share of inspiring stories since I started writing. I guess they wouldn't work for everyone, but I'd bet some writers who are reading this will understand what I mean. For instance, there are moments when I've felt encouraged by other writers' good fortune. There's no envy involved to spoil the moment. It's more like their joy is contagious, and I just want to soak it up and share in their happiness. It positively makes me want to grab my laptop and write like a madwoman! I'm a believer. If others can do it, there is hope for us all. 

A few days ago, I attended a holiday party given for our local chapter of SinC. (Sisters in Crime). Each of us took a turn sharing what we've accomplished in our writing. As my sisters spoke, I felt proud of each and every one of them. I'm blessed and honored to be a part of such talent. There were those who announced novels recently published; those with works in progress and who are still waiting to hold that first book with their name on it; those with happy stories, and those with struggles they'd managed to get through, sometimes with the help of fellow authors. I enjoyed hearing all of them. They show courage, perseverance, and tremendous love for writing. What more could I ask for?

So, this holiday season--a time for reflection, hope, and giving--I'm wishing everyone will find inspiration within themselves, share it with others, and enjoy each others' successes. Tis the season, after all. 

Happy Holidays, everyone!



  

Let's Count ... What's in Your Toolbox?

A writer's toolbox is special. Think about it. A doctor has her medical bag. A teacher carries her briefcase of lesson plans, papers to grade, utensils, etc. A lawyer, an accountant, a carpenter, a plumber, and the list goes on forever -- all of them need tools. Right? Tools get the job done. 

A writer is no different. What's important to us may vary, but the tools are there to help us plan, create, write, edit, until we complete the WIP. I like my tools. I keep them close by and use them frequently. What are they? Well, let's take a look...

1) Laptop -- I used to write out stories longhand, then type them. Eventually, I decided going straight to the keyboard saved me time and made the changes a cinch to read! Okay, yes. I'll admit it. I can't help but edit as I write. Some say it interrupts the flow of the story. I say the story won't take one step further if I don't correct what I see as glaring errors!

2) Outline -- I'm a planner. Used to be a pantser. Planning keeps me from writing myself into a horrible, confusing corner that would take erasing several chapters and starting over at that point to fix. So, a detailed, chapter by chapter outline it is, resting next to my laptop!

3) Sticky Notes -- This is where I will sound a bit fanatical, but I use these for brief chapter notes. I know what you're thinking. I've already outlined, so isn't this redundant? Not exactly. It's true my outline is a lengthier version of my stickies. However, the most important reason for them is to help me keep track of my story timeline. On each one, I write a few words about the chapter and include the date. Then I stick them along the edge of my bookshelf where I can give them a quick glance when I'm trying to figure out how many days have passed since such and such event happened, or which event occurred in what chapter. 

4) Character List -- I like to reference my story's characters and their descriptions, especially the minor ones, which may sound illogical but these are the ones who may not appear that often in the story. Chances are I may forget their names! It happens in my world.

5) yWriters5 -- I use this software program because it's free. Yes, I'm thrifty, frugal, oh heck, I'm cheap. Otherwise I would be using Scrivener. In any case, whatever one chooses, a program where you can enter in all the fun stuff -- outline, summary, characters and their descriptions, etc. It helps a planner like me, or a pantser who needs reforming. lol

6) The Emotional Thesaurus by Ackerman & Puglisi -- Yes, I occasionally get stuck in the muck when choosing my words and expressions. I take a look through this reference for help now and again, though I do put my creative mind through a major workout to come up with my own ideas first! Can't let that brain muscle become lazy ;-) 

7) My writer's mug -- Actually, I have three now, but my favorite is this one. They're great for inspiration or just some comical relief. 

8) Writing Utensils -- I wouldn't be complete without these. I scribble across my outline all the time, in the margins, between the lines, anywhere I find white space. It's my obsession to change words and ideas constantly! 

9) Last but absolutely not least are the abstract essentials -- imagination, perseverance, confidence, and a thick alligator skin to protect against criticism, naysayers, and all around Debbie-downers. Who needs them? 

Okay, so those are my tools, what about yours? I'd love to hear. In the meantime, I'm going to be book blogging with Reading Addiction Book Tours starting in a little over a week from now. Hope you'll stop by some or all of the blogs hosting me. I'm even going to write a couple of guest posts! Should be a fun time :-) 

It's a Con's Life

When digging into any new project, I make a well-intended effort to do some research. I research the general topic of the story. I research things I may want my MC to have -- skills, lifestyle, mannerisms, etc. I research setting info, historical references, plausible murder scenarios, and oh, the list goes on. Yes, I do make a well-intended effort ... at driving myself crazy! It's a writer thing, after all. 

So. Here it is, the kind of weirdness my over-stimulated, over-imaginative brain comes up with late at night when I should be getting sleep. I want to write about cons. Yes. A murder mystery/suspenseful thriller/slightly comedic/insane novel series about con artists. Don't judge me. The idea has merit. AND it just so happens to be very trendy right now. (Insert evidence: Evanovich/Goldberg -- The Heist; Ally Carter -- Heist Society; TV series -- The Catch ... just to name a few). Besides, I enjoy writing such fun stuff. Humor is my thing, which I must indulge on occasion. 

Anyway, back to research. I found lots online about con artists, con jobs, heists, famous cons, names for schemes, tips to run a con, and even how to figure out if your significant other is a con in disguise. Okay, scratch "in disguise". It's redundant because ALL con artists are in disguise. It's what they do. They lie, but they convince you they are telling you nothing but the truth. They always say the right thing, romance you, please you.They are the original Smooth Operators. (Sade song reference fits well here.) So what if they are notorious liars and thieves? They do have a code of con ethics. Yep. You heard me. Cons have ethics. Well, not in the normal sense you and I have ethics, but the rules exist. Like, never con an honest person. Or, never keep secrets from your con family. I find it hard to believe that last one. I mean, they lie. Right?

Oh, and cons have their own how-to book. For instance, when focusing on a mark (that's the victim, in case you don't know con jargon) you should look for his/her weakness. It could be greed, loneliness, insecurity, and other traits easy to manipulate. You need to know everything about your mark. Their habits, likes, dislikes, family, job, even which side of the bed they sleep on, if it helps you pull off the con. Everything. Things as simple as how you should always control the conversation, all while making your mark think HE controls the conversation. Geesh. 

But wait. I'm not finished. I found a long and exhaustive list of the types of cons used. Yes. They have names. Like Badger Game where the mark is put in a compromising position, then the con takes pictures and blackmails the mark. Or Salting the Mine when a con plants valuable gems in the mine to convince the mark it's worth the investment. There is Mellon Drop, and Pigeon Drop, and Three Card Monte. So many to choose from! Does your head hurt yet? Mine does. I'm sure you've all heard of Cat Phishing. It's been in the news a lot. Where someone friends you on the internet, pretending to be someone he/she is not, getting you to fall in love, and probably ready to scam you for money. "Oh yes. I want to come to America and be with you, but I don't have the money. My family is poor. All we have are the chickens and the goats to trade. Please send money so I can come and we can be together, my love." Of course, it's a con and the lonely people (refer to list of weaknesses above) will fall for it. 

This brings me to what I really wanted to write. Hmm. I do take the long way around, don't I? So, with my over-stimulated, over-imaginative brain running full throttle during this research, I began to wonder what if I've been conned? Or how easily I could be, given the right circumstance and a very cagey, shifty, perhaps gorgeously handsome con artist tempting me. It could happen. They say senior citizens are the prey of con schemes like insurance fraud, fake contests, home improvement scams, etc, and all ready to be cheated out of those meager social security and pension checks. Only takes a bit of naivete and a kind-hearted soul to fall for it. 

Well, let me say this lady is a little wiser after gathering all the con-wise info. I'll just give a twist to Tip Number 2 from the how-to-con manual: Do your research and learn everything about your ... con. I may be kind-hearted and older, but I'm not stupid. At least I hope not! Okay, back to learning about a con's life and "scheming" ways to write this story! Should be fun. :-)

Happy reading and writing, all! Enjoy your week. I'm off to Medina Library on Saturday the 30th for a super author expo. If you're a local, come visit with me. We'll talk mystery, murder, and stuff about cons. ;-)

The Name Game -- Why Should I Care?

As a fiction writer you must think about character names. For me sometimes it's easy. The name just sticks, it's perfect. In other instances I change names numerous times before the final draft. Even after I see it in print, I may say to myself, "did I choose the right one?". And rarely, after constant frustration, I'll throw up my hands and shout, "who cares?". 

Well, take note. There are lots of reasons to care. Just search for the articles. Dozens and hundreds of them, studies, research, you'll find them. Names matter. Okay, so I'm probably getting carried away. Fiction is, well, fiction. Not real life, no importance to the serious issues of anyone. However, the names authors choose can influence the names parents choose. Remember the explosion of the Twilight series and movies? Isabella or Bella became a number one choice in baby names for girls after that. 

Popularity of names aside, there are other particulars to mention, which are totally irrelevant to why authors should care but none the less interesting and fitting for this post. For instance, studies have shown that names may predict a person's future profession. Yes, I know what you're thinking. How silly is that? Hey, I'm just the messenger, reporting what I've found. Take it or leave it. Now, professions. How about women with more masculine names or gender neutral ones like Cameron or Ryan become more successful lawyers than those with more feminine names? Or take a look at the study about "nominative determinism" or in Latin, "nomen est omen" where one's name matches one's profession. Ridiculous theory? Then how do you explain: singer Bill Medley or poet William Wordsworth or race driver Scott Speed? Maybe those and other examples are mere coincidence. That almost seems a more rational explanation, doesn't it? I'm not done. There are other articles which go so far as to imply that subconsciously people choose a profession that matches letters in their names. Denise, Dwayne, and Debra will become dentists and Laura, Louis, and Larry will be lawyers. Huh. Guess I should've named my lawyer in A Deadly Deed Grows Laura instead of Mira. Then there's the conclusion made that those students whose names begin with the letters C and D will achieve low grades compared to their classmates with names like Alice and Bruce. Oh, boy. My report card was full of A's and B's, but my name starts with a K. Explain that one, you theory folks!

I drive myself crazy with all this insane or maybe not so insane information. So, I'm going to stop stressing or over-thinking the subject. Instead, I'll remember the line by Shakespeare: "a rose by any other name would smell just as sweet". Maybe I'll name my next hero Romeo. It's a thought.

P.S. If you're curious. There is a link I'm posting to an excel document. It's a naming game where you type your name and get the profession that matches. Only in fun, but entertaining just the same. And hilarious. Stephen King should've been a stand-up comedian. George Washington? The village idiot. Charles Dickens? Wait for it ... a porn star! Yes, silly, entertaining fun. Hey, my name turns up big game hunter. Too bad I am not inclined to pick up a rifle and shoot. Heck, I won't even kill a bug if I can avoid it. Geesh!

Anyway, here's the link:  https://ashallann.files.wordpress.com/2011/11/yournamedictatesyourjob1.xls 

Happy reading and writing, all!

Searching For Childhood Book on Secret Codes, i.e. Ways to Procrastinate in Writing

You know, I am the supreme master of procrastination. Ask anyone who knows me. It's no secret, and I don't claim that lightly. Add my dorky behavior and undying curiosity to the mix, and you get a typical day like this .... 

3:00 pm: I wanted to continue my work in progress this afternoon. That was the plan. It's a mystery and just so happens to involve a secret code. I LOVE secret codes. (Insert matching character detail -- quirky, dorky, or anything synonymous.) So, I was about to write when a thought came to me. I remember I had a book as a kid called Codes & Secret Writing (see photo). I bought it through our class Scholastic book program. Oh, how I loved those fliers! Full of wonderful books, I wanted to buy them all. My parents had other ideas. Anyway, I thought about that book. It was such a fun book. I'd spend hours using those codes to write secret messages. (Yes, I know. Dork.) I decided about then to go look for that book. I saved ALL my books, much to my hubby's disappointment. I even have a rather large collection of Nancy Drew Mysteries, if you ever stop by and want to take a look. 

Now, where was I? Yes, finding that code book. I searched my toy chest (kept that, too) and found lots of goodies, including a Chatty Cathy, Tiny Tears, and Barbie along with her friends and family. That took me about an hour, ooing and ahing over all of them. But no book. 

4:00 pm: I never was one to give up, however I ran out of hiding places for the moment. So,  it was on to the internet, a true cornucopia of information. Several minutes later and ta da! There it was. The cover image had been carved, burned, etched into my brain. How could I ever forget? That beautiful cover, belonging to my my childhood memory, and I found it on a vintage book website. Easy peasy!

Of course, after all that I needed to process my thoughts, and I came up with this perhaps obvious takeaway -- Childhood can be a wonderful thing, and evidently memories over a lifetime may trigger an idea or two, which may become a part of a writer's story. It has for mine. I'd like to think my stories are made of all the details of my life experience. Each and every day, from small ones to big ones, those moments are connected, linked like DNA to form my imagination. Yeah, underneath it all, sometimes in a small way or even big, it's where I believe the story starts, with my building blocks of memories.

5:00 pm: Oh, and one more thing ... after all the reminiscing and searching? I decided to write this post. Ugh. Procrastination. Now, if I can just stay away from Facebook, Twitter, and all things cyber-like, maybe I could finish that chapter ;-)

Happy writing and reading, all!

Using the Past Perfect ... i.e. What Happened Before the Other Thing Happened

A few months ago, I received feedback from an editor on a manuscript I submitted. She asked if I would change at least half of the highlighted passive verbs and replace them with more active, descriptive verbs. To my overwhelming dismay, I found over 1,000 highlights and realized I really faced an eye-popping, finger-cramping task.

Now, the thing is that a good many of these involved the past perfect and wouldn't be necessarily labeled passive, but can make writing a bit cluttered when overdone. This is where I move on over into my teacher mode and say that if used wisely and sparingly, the past perfect is an effective tool.

It can introduce a flashback without using trite, boring phrases such as "It was several weeks ago" or "I remember the time when". For instance, "Mary had buried the shoebox under the oak tree. She died the next winter and we realized that her secret might never be told. But then, Max dug a hole to bury his bone and found the box, which he carried proudly in his mouth to the front door..."

Note, I only used the past perfect -- had buried -- once, and then the rest of the verbs remained in the past tense. It does the job and remains clear and tight.

Now, if you are using the verb "to have" -- I have, I have had, I had had; or "to be" -- I was, I had been, then you probably want to change all or most of them to more descriptive and concise verbs. For example, "he had the answer to her problem" could easily be replaced with "he discovered the answer to her problem." Or ... "the bird had a wingspan of at least five feet" could be changed to "the bird carried a wingspan of at least five feet."

I think that it takes practice to defeat the use of "lazy" passive verbs. Sometimes, like in my case, you might not even realize you are using them. Do a word search and tally them up, then toss a good deal of them out! Your writing and stories will thank you :-)

Happy writing!

Whips, Cuffs, and Little Brown Boxes
Oklahoma's Gold
Not So Snow White
Cinderella Geek

Nice Bit of Showcasing and Feedback

Just wanted to give a thank you to all those over at the Murder by 4 blog. I sent in an excerpt from my unpublished mystery novel, Dying to Dream, for submission to the blog's monthly writing critique. The authors have given me feedback and it is much appreciated. Hopefully, my novel finds a home someday with proud publisher parents who will want to adopt it! Again, thanks. Maybe those who drop in here to read this will drop in over there to Murder by 4. It's a great blog with lots of interesting and useful tidbits. Enjoy!

It's Never Too Soon or Too Young.

How soon or at what age should someone think of taking the big leap and publish a book? Well, times are a changing! Meet Spencer Brokaw. He's twelve AND a published author ( Impenetrable Spy ). Can you imagine? Plus, he maintains a website where he regularly includes author interviews, which is how we got together. I asked and he accepted. So, below is the link to that interview.

Writing and publishing at a young age is what I'd refer to as "dream-inspiring". What self-publishers such as Amazon, Smashwords, and Lulu have done is to make it possible for writers of all ages to display their work in a big way and with an actual product. That's an extrinsic motivator you can't ignore. Before the days of computers and the internet, I recall how elementary teachers would "publish" their students stories, making them into books. Sure, it looked homemade, perhaps with construction paper covers and spiral-binding. But it was something to take home and show to family and friends, thus creating a proud moment for both creator and admirers.

So, I'd say it is a great thing being done, here. Giving young people the opportunity and encouragement to fulfill their dreams. Nothing wrong with that!

Here is the link to my interview, if you're interested. And to all those writers and writers-to-be ... write on!

Interview With Author K. Sean Jennkrist (Kathryn Long)

When You Hit That Bump in the Road ... Life and Writing

Okay, so I was going about my business for the day. I had errands to run and I wanted to hurry up, get them done, and then home again to write. Easy enough ... or so I thought. Rushing across the garage to my car, I tripped on an uneven surface and fell flat on the cement floor. Ouch! My knee took a beating and so did my day. I ended up a hostage in my chair without a single errand run. However, on the upside, I got lots of writing done!

I guess you could say my mishap, forcing an adjustment to my plan, reminds me of writing, too. Sometimes the best plan of action must take a few twists and turns ... or "falls" if you will. Adjustments in plot, characters, even the whole book can happen when you least expect it coming. The advice being, be prepared for all things. Sure, I could have pouted for a while, thinking about the clumsy move and ruin of my day. But I got my writing done! Nothing bad to say about that :-)

Whips Cuffs and Little Brown Boxes

Not So Snow White

Having a LILLY Moment

If you write stories, I'm sure you will relate to my experience. I had a Lilly moment. Lilly is the main character in my mystery novel WHIPS, CUFFS, AND LITTLE BROWN BOXES. To know her is to love her ... or maybe hate her. It depends on the day. To put it briefly, or as short as I can possibly make it, Lilly is a forty-year-old, single woman who has issues. Guy issues, mother issues, friend issues, crazy neighbor issues, job issues, and the list goes on, but I promised to TRY and make this short. Anyway, Lilly gets inside my head and if you want to say I have a case of multiple personalities, okay. I'll buy that. I love my Lilly. In fact, I love all the characters in that book. They are family. But I digress ... I had a Lilly moment when my niece was explaining--she's fifty-five, divorced, and seeing this really great guy--that her guy friend had made an insensitive comment about her weight. WELL, Lilly popped into my head and the fireworks started. She went on a rampage about how great my niece looked and if guy friend didn't like it, then he could ... well, you get the picture.
Okay, so this little anecdote was really meant to be educational and informative, a writer's tidbit of advice. So, getting right to it ... Know your characters, become friends, create the whole picture for them, have conversations with them! If you do this, when you write their scenes, they will act naturally, genuinely, and everybody reading will say, "Wow! Now that's great writing!" Of course, side effects include the occasional Lilly Moment, i.e. replace Lilly with your character's name. But it's worth it!

So, go write yourself a few friends and have a great story to tell :-)

WHIPS, CUFFS, AND LITTLE BROWN BOXES
CINDERELLA GEEK

Celebrate the Fireworks in Your Writing!

Each of you probably have your own manner of celebrating this holiday, one of them being going to watch the fireworks ... bright, colorful, an explosion of sound echoing in the sky. Ask any kid, or many adults for that matter, what the favorite part or most memorable part of the Fourth is, and most all will say the fireworks. So, enjoy the display and think about this ...


When you write, do you include fireworks? You know, the words, the action, those little or big impacting features that make your story go ZING, POP, BOOM so your readers will grip the edges of your book and never want to put it down until the last page. Or are you afraid you may be putting your readers to sleep with too much detail, backstory, and just too much stuff that's boring? It's a challenge. Today's readers are demanding. They need to be entertained to the nth degree. Give them any less, and you might be losing them. And then they move on to the next book. There are millions out there to choose from.


Now, when I say fireworks in your writing, I need to explain that fireworks aren't limited to those action scenes you find in movies like Transformers or Independance Day. You can include intimate moments, those personal moments that may slow the pace down, but they have all the crackle and pop to call their own. It may be the choice of words, that pause given in dialog, that phrase to describe a character's expression ... just so many fine nuances that make the difference between good writing and great writing. One contemporary writer who just blows me away with his style ... whether he is writing an action scene or a quiet conversation ... his prose is superb. It's the kind of prose that makes a writer want to cry and say, "I want my writing to be like that." Take a look at James Lee Burke . I read one of his earlier novels, In the Electric Mist with Confederate Dead. Of course, there are many more. I am in awe of his style.


The catch here is that I can't really explain in so many words what "fireworks" in writing is. I just know it when I read it. But I can say this ... find a beta reader, someone who will give you an objective opinion. If you suspect or worry that your writing may be boring, give it to that person and see what he/she thinks. If it turns out to be the "yawn" you suspected, go back to the "writing board" and work on that. There are many books out there on writing advice. I realize it may be confusing and overwhelming to choose. I can suggest a couple in my library that have helped me.

• Plot and Structure by James Scott Bell
• Self-Editing for Fiction Writers by Browne & King
• Manuscript Makeover by Elizabeth Lyon

The last two are really great after you've finished your story and you are ready to revise, but I think it's wise to be armed with knowledge beforehand and thus avoid making those common mistakes in the first place.


I hope this encourages rather than discourages your efforts in writing. It's a battle, but like anything one sweats and toils over, the end product becomes worth it. If you have any books on writing or suggestions of authors who have that sparkle, crackle, pop in their writing, please share!


Happy Fourth of July!!!!

How to Deal With Criticism

Okay, this topic obviously caught my eye and took on a personal note because of my recent experience. Let me explain. I received a response from an editor of a publishing company I had submitted one of my completed manuscripts to -- A Deadly Deed Grows. Now, mind you, this one had already made its way to another publisher who thought it was good enough to send up the ladder to a final review, but it didn't make it through. They had some nice things to say about the novel, though. I was encouraged enough to follow it up with another submission.
Well, it made it up the ladder once more, only to end with a less than glowing, in fact rather scathing to the point of going down in flames, response. I'll admit, I sat and cried. I don't think I have gotten such negative feedback since ... well ... probably since grade school. I tried to toughen up, get past it, telling myself that the other editor really liked it. I guess if this one had said something nice, anything, like "clever title" or "your dialog is realistic" or "thank you for formatting correctly" ... just something, I might not have felt so wounded.

It's been over a month now since I got that email. I've licked my wounds and moved on, but there are still some scars. Writing seems to be my therapy. Anyway, I found this article on dealing with criticism -- How to Deal With Criticism in Writing . The author, Kenji Crosland, lists the following musts:

Learn to value criticism

Write without thinking about criticism

Listen to criticism openly

Respond to criticism effectively

I will just focus on the second one and let you check out the rest.
Write without thinking about criticism: I chose this one because I feel that's where I'm at -- writing and trying not to be self-conscious about criticism. It's kind of like getting back on the horse right away before you lose confidence to do so. I have to write, keep on submitting, or I might lose my nerve all together. And that's a big no-no.

As Crosland puts it, you can't let that inner voice, the one telling you your writing stinks, dictate because it will stop you in your tracks and keep you from that creative flow. So, what do you do? He says your attitude needs to change, i.e., avoid perfectionism. He quotes playwright, August Wilson, “You can make no mistakes, but anything you write can be made better.”, which Crosland changes this a bit to say, “Although anything you write can be made better, there comes a point where you can’t make it better.” When put another way, you need to stop tweaking too much or you'll have one confused mess on your hands.

He also points out that you need to write with authority. Be confident in your writing, know your craft and employ it well into your work. A fine line is being walked here. Criticism should be taken seriously and taken as a professional. But remember, it is subjective. So, if you are hearing the same suggestions/criticisms from several people (that is, people who are supposedly expert in the craft), then you should listen. However, --and I'm not just saying this because it happened to me that way--if you hear it only from one, take the advice objectively, see what there is to use, or if there is something worth using, and leave it at that.

In any case, criticism goes along with the territory. If you are writing to be heard, and/or to be published, you have to expect the good along with the bad. I know I am. It's tough, but necessary.
Hope all you writers out there find this useful, and as always, write on!

ADDENDUM...I got my first really true review of WHIPS, CUFFS, AND LITTLE BROWN BOXES and it felt good! No, it wasn't a perfect 5 stars rating, but this reader had some great things to say, along with the criticism. Now, THAT'S what I'm talking about!

Multiple Intelligences -- How Do You View the World?

I happened to find a site that brought to mind ... how do I view matters, how do I think, how do I cope, i.e., how do I get through my day! I teach, so of course, how my students learn is one of my main concerns. However, I can see how this would affect one's writing. The choice of words, actions, etc. put into the story. In any case, this was a real eye-opener when I decided to take this survey. Some of the results I could have predicted, but others were a bit surprising. And the questions? Well, see for yourself and take the test!

Multiple Intelligences

Stay Posted ... New Theme - Guest Authors

Just letting you all know that in a couple of weeks I will be having a guest blogger -- author, Michael Murphy, who has a published novel, Scorpion Bay, just released this month. I'm so excited for him! He will be writing about ... well, writing! And of course a bit about his novel, Scorpion Bay ... oh, did I mention that already? And that I'm excited for him?

Anyway, stay tuned for his visit, sometime around the middle of April. Until then ...

To Kindle or Not to Kindle - That is the Publishing Question

Hot off the presses .... Amanda Hocking's creations -- the Trylle triology, for one. If you've been following publishing trends in the news, you may already be aware of what's happening. Like it or not, self-publishing, especially in ebook format, is blazing a trail and aiming for the clouds or the heavens or however far up it can reach! With the creation of ebook readers, monster outlets like Amazon, easy to use tools provided by CreateSpace and Kindle Direct, an author can easily self-publish at little to no cost and be up and running on the Amazon website quicker than you can blink an eye ... okay maybe not quite that fast, but it's only a matter of weeks, not months or a year such as it takes with traditional publishers. And you don't have to "pass the gates of entry" to get by the agents and publishers who must approve you when taking the traditional route.
I know what some of you are thinking ... how good can those books be? Well, I had my doubts. Since the big hype, I've purchased a couple of self-pub books, ebook format, for my reader. I've been reading Amanda's Switched. It's for young adult readers and has the fantasy or paranormal element to it. It may not be great prose, but the story is engaging. At least as engaging as it can be for this adult reader! The thing is that her books selling. Selling BIG. I mean like 450,000 copies in the month of January alone. Now, at 99 cents a pop on Amazon, with the author's take of 30%? You figure the math. Not shabby. Right? Anyway, the whole new trend of this is something to think about ... for readers, for writers, for publishers, for agents ... everyone in the game!

Read much more about this interesting topic and phenom in USA Today ...

Authors Catch Fire

Writing Revisited

Hello all ... after a long hiatus, I am back to revisit a familiar topic, one I've commented on before, but that often needs to show its face, just to remind ourselves of its importance: avoiding the writing blues, keeping the craft in focus and thriving. It's not easy. We come up with more excuses than ... well, we could write a book on that! :-) Sometimes we need a cheerleader in our corner, one who will say, "You can do this. Just put yourself back in front of that computer and WRITE!" Well, actually, you say, that's easier said then done. So, here is yet another list of tips on the topic, expertly crafted by Noelle Sterne and featured in the latest issue (1/20) of Writing World .

1. Schedule realistic times to write. -- base it on daily responsibilities and your personality
2. Mark your calendar. -- then you're committing to it in writing, much more effective
3. The night before, plan exactly what to work on. -- gives you focus and concrete goals
4. Start with something easy. -- whether working on a new project or existing one
5. Set small goals you know you can meet. -- usually applies to a word count -- how many/day?
6. Sneak into it. -- going back over to edit what you wrote yesterday might "jumpstart" today's!
7. Make a list. -- might be an outline of your WIP or even materials you need, resources, etc.
8. Choose one thing from your master list. -- example, start in the middle of a story
9. Use the "diaper method." --overwhelmed? cover up all of your to-do list, but what to do NOW
10. Keep a log of your writing time. -- helps you to learn about your writing habits
11. Accept your "moody" feelings. -- taking a break -a jog, music, etc. - will help rejuvinate you!

For the full article, go to the Writing World website.

Five Quick Tips to NaNo-ing

The countdown hour is here. It is the eve of the NaNoWriMo 2010 launching and you are in a panic. You think maybe it's too daunting, too terrifying, just too, too many words! Relax. It's only a contest. Nobody is going to bully you while you write or fire you if you don't. But in case tomorrow comes, and you decide to give it try, here are a couple of useful or maybe not so useful tips. You decide.


1. Keep to your goal: 50,000 words divided into 30 bites = 1,667 words each day! or for week-end warriors -- 4 BIG bites of 12,500 words each.

2. When you hit a "bump" in the story -- KEEP WRITING and don't look back. (It's just your mind trying to trick you because it wants to take the easy way out and quit before reaching the finish line.)

3. Pick a place and time -- it's easier when you can tell the family or whoever tends to bug you when you're doing something important, (that's NaNo, of course). Just tell them, "I'm going to write, now. DON'T BOTHER ME."

4. Don't sweat the small stuff -- (hmm, not really trying to highjack your title, Mr. Carlson) There is plenty of time AFTER November to edit, revise, edit, revise and so on. So, ... (refer back to #2 tip).

5. Get some sleep! -- Your creative side won't appreciate working with your grouchy, semi-conscious side. Trust me, even with 50,000 words and a winner's finish, you'll still have a train wreck on your hands and no amount of editing/revising will salvage it!

Happy writing!

NaNoWriMo

Believable Characters

Characters -- not just a compilation of physical and personal traits. The difficulty a writer faces when developing the characters for his/her project is complex. I've heard comments from those who say it took pages and pages into writing the story before really feeling like "knowing" the people in it. Can you imagine if the reader felt that way? If I had that much difficulty figuring out what the character in a book is about, why she is doing the things she's doing, I don't think I'd have the patience or the concern to keep on reading. I just wouldn't care.

So, with that said, it should seem to you very important to find out everything you can about your characters before you cut them loose on their journey through the plot of your story. The question is how? What should you do, what steps should you take to get to that point? First of all, you need to remember that story characters are people like you and me. Only they are in your book. To make them human means there are several points to consider. The character's motive, habits, interests, talents, past history, reputation are all important to development. Identifying these will turn your story people into real people who readers can identify with and sympathize with. They will become so invested in the characters that reading on until the very end becomes a must.

The tiny details are important. You can keep molding and adding those aspects to your characters, fleshing them out until the decisions and actions they perform in the story seem logical and believable. For instance, let's consider habits. Perhaps you could give a character the habit of chewing his nails to show a nervous personality, or someone who always doodles on her napkin after a meal, and then later a napkin is found at a crime scene. It has scribbles all over it, thus providing a clue. The character's interest in judo and the fact that the murder victim taught a judo class at a gym your napkin scribbler frequented makes the reader point a finger in her direction. These are just a few examples of how intricate the process of developing believable characters can be.

Where you get your ideas may vary. Strangers you observe, yourself. And sometimes characters are inspired by people you know. This works if you use them only as a starting point. From there, you should develop them according to what you'll need for your story. Flesh them out with those tiny details of habits, talent, motive, interests, etc. Then ask questions based on your story events. For instance, you want to write an opening scene where the character is home alone. There's a pounding on the door, someone shouting, demanding to be let in. Now, start the causal question process: what does the character do? Remember this depends on all those aspects you've created about the character. If it's the nail biter, maybe he'll hide in the closet, pretend he's not home. Next question: The guy breaks down the door and finds the nail biter. What does he do? He has a brave moment and uses the baseball bat stored in the closet and hits the intruder. You could insert a plot twist here: turns out it's nail biter's brother who has come to tell him his wife has been in a serious car accident. And the question process takes a turn and goes on from there. The point is, the better you know your characters, the easier it is to decide what to make them do, how to act. And the more believable they become to the reader.

For more about character development, a great source is Characters and Viewpoint by Orson Card.

Overused and Underdone

What makes a cliche? Is there a point in time, a certain mile marker when a word or phrase can wear the label "cliche"? And who decides? Obviously, those who write have learned that they must avoid them, that editors cringe at the sight of them, and it's a quick trip to the trash can or reject pile if you don't toss them out of your final draft.

It's difficult though. They are like a particular song that gets stuck in your head. You want to clear your mind of it, but it just keeps playing and playing and playing. You think of nothing else. Cliches are there in our minds, concrete walls that block our creative construction. And it probably doesn't matter when we write our first draft. That, after all, is when we keep the story moving; it's our main purpose. But then when it's time to get rid of them, replacing them with some original lines of our own ... not so easy. Do it anyway! It's worth the hard work and effort.

A couple of tips:

Deciding if a cliche is really a cliche - try checking out websites like, Cliche Site or West Egg . They might help you make a decision. Another way is to have someone else hear you say the first half of the phrase, and then see if he can finish it. Cliches usually pop up in a person's mind immediately.

To anti-cliche - take a cliche and try replacing words to work it into something original. For instance, "when all's said and done" could become "when nothing is left to do or say", or something like that. The point is to leave them out, even if the language you replace them with isn't clever and witty. Cliches are just that much worse.

Not everyone will agree on what is cliche. And some will be unavoidable - by choice or not. However, original writing is what to strive for. Who knows? One day your unique weave of words may even become a cliche!